Art of the Pot Studio Tour 2013, Part 1

The always awesome Art of the Pot in Austin, TX is coming up this Mother’s Day weekend in May 2014. Leading up to the next studio tour I have a whole slew of photos from last year’s event, so I’m going to split them up into two installments.

Ryan McKerley pots.

Ryan McKerley pots.

We usually start at Ryan McKerley‘s studio. He’s such an awesome potter and a wonderful person to boot. I have fired my pots in his kiln a few times, which definitely numbers among the highlights in terms of my experiences in the pottery community.

One Ryan's large jars with the trademark Pac Man knob.

One Ryan’s large jars with the trademark Pac Man knob.

Soda firing is my favorite firing method and Ryan’s surfaces are akin to what I strive for in my own work.

Flower brick by Joan Bruneau.

Flower brick by Joan Bruneau.

A few invited artists share each host studio. Joan Bruneau of Novia Scotia presented her gorgeous terra cotta pots alongside Ryan McKerley, Chris Campbell, and Bryan Hopkins.

Lovely plates by Joan Bruneau.

Lovely plates by Joan Bruneau.

The brilliant glaze colors coupled with the rich red clay body makes for a highly covetable pot.

campbell-aotp13

Chris Campbell pots.

Ryan McKerley shares his studio with fellow host Chris Campbell, who wood fires his dark stoneware clay pots.

Porcelain ware by Bryan Hopkins.

Porcelain ware by Bryan Hopkins.

Thin, translucent porcelain abounds in Bryan Hopkins‘ work, often textured with carving and mundane objects like wood planks or diamond-patterned steel sheets.

Saying farewell to the mural on Ryan's studio exterior for another year.

Saying farewell to the mural on Ryan’s studio exterior for another year.

Onto the next studio!

A different studio happening concurrently in the building housing Keith Kreeger's studio.

A different studio tour happening concurrently in the building housing Keith Kreeger’s studio.

Photographers, painters, and other 3-D artists presented work in the other studios adjacent to the next AotP host potter.

The entrance to Keith's studio.

The entrance to Keith’s studio.

An array of pots from all of the presenting artists within decorate the table.

Keith Kreeger pots.

Keith Kreeger pots.

Host artist Keith Kreeger produces minimal, sometimes softly colored, functional pottery.

Some of the more colorful Kreeger pots.

Some of the more colorful Kreeger pots.

There’s always something new in Keith’s array of pots, so I look forward to seeing the latest and greatest each time I enter his studio.

assortment-aotp13

Another assortment of pots from the potters in Keith’s studio.

I love to see different work shown alongside each other, the variety makes for a strong and visually appealing presentation. Decal encrusted pots by invited artist Dan Anderson appear at top left and bottom right.

Courtney Murphy pots.

Courtney Murphy pots.

I loved the clean forms augmented with brightly colored surfaces from invited potter Courtney Murphy.

Especially this cream and sugar set!

Especially this cream and sugar set!

The arched line of raw clay on the sugar jar made me swoon. Two more studios to come, stay tuned for photos!

Advertisements

11 Fresh Etsy Shop Listings!

I’m gearing up for all those Christmas shoppers who want to support independent craftsmen and shop handmade! In the interest of making as many options available as possible I’m going to be listing most of my inventory over the next few weeks. Check out what’s already up on Alazan Ceramics on Etsy¬†and I’ll let you know as I add more.

Here’s a teaser photo of my pottery display from the most recent Fall Sale & Show.

IMG_4610

Harbor Artisan Market, etc.

Hey pottery fans, sorry about the long hiatus! I am officially back on the show circuit, and my next event was just added for this coming Saturday, Sept. 21st. I will be displaying primarily pottery with some jewelry for sale at the inaugural Harbor Artisan Market and Art Festival at the Harbor in Rockwall, TX. The hours extend from 10 am – 6 pm and this event is running in conjunction with a regatta. In addition to up to 50 artists there is plenty of free on-site parking, eateries, shops, a Cinemark movie theater, and a lovely view of Lake Ray Hubbard. The event will likely be bustling (they had ~3,500 attendees last year) so plan accordingly. Hope to see you there!

For more details: Events & News at The Harbor Rockwall

Also, save the date for my next established event, Nov. 1 – 3 for the Fall Sale & Show at The Craft Guild of Dallas in Addison TX. Link here: Craft Guild events and homepage

P.S. The reason my production has temporarily slowed down is to allow me to focus on building my gas-combusting kiln. Here’s a photo of the 8′ x 10′ concrete pad I will be building it on, shortly after completion!

IMG_4506

Next on the agenda? Pickup the remainder of the necessary firebrick from the Houston area in Oct-Nov.

NCECA Conference 2013: Finale

Spring always keeps me busier than I expect, so in the interest in covering a lot of ground here’s the remainder of my photos from the most recent NCECA conference in Houston, TX. Almost all of them hail from the Santa Fe Clay La Mesa show, except for the last photo from a demonstration.

Bonnie Seeman cup and saucer.

Bonnie Seeman cup and saucer.

A gorgeous place setting by the popular potter Molly Hatch.

A gorgeous place setting by the popular potter Molly Hatch.

Bird plates by Donna Polseno.

Bird plates by Donna Polseno.

Lisa Clague sculptural cup.

Lisa Clague expressive sculptural cup.

Leanne McClurg handbuilt dishes.

Leanne McClurg handbuilt dishes.

 

Sculptural bird cup, also by Ms. McClurg.

Sculptural bird cup, also by Ms. McClurg.

 

Liz Quackenbush cobalt and gold luster plate.

Liz Quackenbush cobalt and gold luster plate.

 

Matt Hyleck simply patterned place setting.

Matt Hyleck simply patterned place setting.

Sam Chung slipcast dishes with artfully aligned rim coloration.

Sam Chung slipcast dishes with artfully aligned rim coloration.

 

Peter Beasecker porcelain string series plates.

Peter Beasecker porcelain string series plates.

 

Gwendolyn Yoppolo 2-person serving set with microcrystalline glazes.

Gwendolyn Yoppolo 2-person serving set with microcrystalline glazes.

 

Sunshine Cobb handbuilt earthenware basket with sandblasted glaze.

Sunshine Cobb handbuilt earthenware basket with sandblasted glaze.

 

David Crane beautifully glazed nested square plates.

David Crane beautifully glazed nested square plates.

 

Kristen Kieffer stamped and patterned place setting.

Kristen Kieffer stamped and patterned place setting.

 

Myungjin Kim place setting with beautiful black sgraffito drawings.

Myungjin Kim place setting with beautiful black sgraffito drawings.

 

Brenda Lichman large soda fired serving bowl.

Brenda Lichman large soda fired serving bowl.

 

Steven Godfrey bird-topped salt cellar jar.

Steven Godfrey bird-topped salt cellar jar.

 

Jake Allee cut and reassembled vase from a live demo.

Jake Allee cut and reassembled vase from a live demo.

Photos from The Spring Show & Sale at The Craft Guild of Dallas

Firing back up to temperature after salting.

Firing back up to temperature after salting.

A solution of roughly 6.5 lbs of salt dissolved in nearly boiling water was sprayed into the kiln in increments, primarily through the rear ports located above the burner ports shown.

Just after opening the door, before unloading.

Just after opening the door, before unloading.

Almost all of the large pieces warped and/or cracked, and the higher than usual quantity of salt combined with a better volatilization from the water solution resulted in some both gorgeous and repugnant glaze effects. Yet another mixed bag. Thanks a lot lot, porcelain! (said with both sarcasm and appreciation)

TCG table setup after the Friday night reception.

TCG table setup after the Friday night reception.

I wore a Sugarhill Boutique horse batik dress from ModCloth with a Cynthia Rowley blazer from TJ Maxx, mint tights from Anthropologie, and All Black eel/fish skin kitten heels to work the Friday night reception.

A close-up of the pots on display, minus back-stock and what's chilling in the Gallery.

A close-up of the pots on display, minus back-stock and what’s chilling in the Gallery.

I also have some things in the Gallery space at the front of the building and about 1/2 again as many pots holed up for re-stock and/or future events. I’ll be on hand again Sunday 5/5/2013 from 2-5 pm if you want to see something that’s not on display.

A close-up of some of the pots.

A close-up of some of the pots.

A final close-up featuring a dragon jewelry dish, necklaces, and assorted functional pots.

A final close-up featuring a dragon jewelry dish, necklaces, and assorted functional pots.

My work will remain on display through Sunday, so make plans to attend if you’re able! Hours tomorrow run from 10-6 and Sunday from 11-5. TTFN!

 

Salt Fired Pots in September

I got my most recent batch pushed through a cone 10 reduction salt firing at the Guild. It’s primarily more ambitious pieces and prototypes, but the nice high temperature at shut-off and good quantity of salting gave me pretty successful results overall. I think the Some Bright Green did a bit too much running, but otherwise warping and cracking didn’t plague the pots. This is an ideal situation considering I use grolleg porcelain which tends to take any opportunity to warp and/or crack.

A successful teapot, with a well-fitting lid fresh from the kiln.

The colors and textures evident in the glazes are a bit different than the palette I am accustomed to. A few re-fired bowls got some unbelievable color and crystal variation, for example. The halo and richness of hue in the teapot shown above represent the overall results well. I am happy with the blue slip decoration, both inlaid and trailed, including the few pots with sufficient glaze fluxing to make the slip bleed and run.

Part of the newest batch.

The next event I know of that I’m bringing pots to will be the Fall Sale & Show at the Craft Guild of Dallas, which arrives in early November. I plan to get some more pieces completed by then. The finished pots in my studio are beginning to overflow, however, so we’ll see.

I’m Still Here…

Albeit not posting much lately, I am progressing in the studio. I am just wrapping up the making stage for a 2/3 electric kiln load or so along with two trophy bowl re-makes. I poured more labor than usual into some especially complex forms and several decorative processes including sprig molds, slip trailing, and inlaid slip. I’m currently drying a batch of zoomorphic ewers, new and improved teapots, butter dish prototypes, fully decked out gestural vases, etc. These newest pieces reflect a measure of an increasingly ornamental, palace-ware aesthetic. Here’s a teaser photo of some dry greenware pots.

Image

Previous Older Entries