Photos from The Spring Show & Sale at The Craft Guild of Dallas

Firing back up to temperature after salting.

Firing back up to temperature after salting.

A solution of roughly 6.5 lbs of salt dissolved in nearly boiling water was sprayed into the kiln in increments, primarily through the rear ports located above the burner ports shown.

Just after opening the door, before unloading.

Just after opening the door, before unloading.

Almost all of the large pieces warped and/or cracked, and the higher than usual quantity of salt combined with a better volatilization from the water solution resulted in some both gorgeous and repugnant glaze effects. Yet another mixed bag. Thanks a lot lot, porcelain! (said with both sarcasm and appreciation)

TCG table setup after the Friday night reception.

TCG table setup after the Friday night reception.

I wore a Sugarhill Boutique horse batik dress from ModCloth with a Cynthia Rowley blazer from TJ Maxx, mint tights from Anthropologie, and All Black eel/fish skin kitten heels to work the Friday night reception.

A close-up of the pots on display, minus back-stock and what's chilling in the Gallery.

A close-up of the pots on display, minus back-stock and what’s chilling in the Gallery.

I also have some things in the Gallery space at the front of the building and about 1/2 again as many pots holed up for re-stock and/or future events. I’ll be on hand again Sunday 5/5/2013 from 2-5 pm if you want to see something that’s not on display.

A close-up of some of the pots.

A close-up of some of the pots.

A final close-up featuring a dragon jewelry dish, necklaces, and assorted functional pots.

A final close-up featuring a dragon jewelry dish, necklaces, and assorted functional pots.

My work will remain on display through Sunday, so make plans to attend if you’re able! Hours tomorrow run from 10-6 and Sunday from 11-5. TTFN!

 

Salt Fired Pots in September

I got my most recent batch pushed through a cone 10 reduction salt firing at the Guild. It’s primarily more ambitious pieces and prototypes, but the nice high temperature at shut-off and good quantity of salting gave me pretty successful results overall. I think the Some Bright Green did a bit too much running, but otherwise warping and cracking didn’t plague the pots. This is an ideal situation considering I use grolleg porcelain which tends to take any opportunity to warp and/or crack.

A successful teapot, with a well-fitting lid fresh from the kiln.

The colors and textures evident in the glazes are a bit different than the palette I am accustomed to. A few re-fired bowls got some unbelievable color and crystal variation, for example. The halo and richness of hue in the teapot shown above represent the overall results well. I am happy with the blue slip decoration, both inlaid and trailed, including the few pots with sufficient glaze fluxing to make the slip bleed and run.

Part of the newest batch.

The next event I know of that I’m bringing pots to will be the Fall Sale & Show at the Craft Guild of Dallas, which arrives in early November. I plan to get some more pieces completed by then. The finished pots in my studio are beginning to overflow, however, so we’ll see.

I’m Still Here…

Albeit not posting much lately, I am progressing in the studio. I am just wrapping up the making stage for a 2/3 electric kiln load or so along with two trophy bowl re-makes. I poured more labor than usual into some especially complex forms and several decorative processes including sprig molds, slip trailing, and inlaid slip. I’m currently drying a batch of zoomorphic ewers, new and improved teapots, butter dish prototypes, fully decked out gestural vases, etc. These newest pieces reflect a measure of an increasingly ornamental, palace-ware aesthetic. Here’s a teaser photo of some dry greenware pots.

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Trophies in Progress

Here's a bird's eye view of the incomplete Breeding Stallion trophy bowl.

I received a custom order for a regional horse show in the fall, for 12 trophy bowls. I was given full artistic freedom with the requirement of including the club logo, year, and title. I placed the logo in the bottom interior, and scrolled the text around a flattened rim. I hand-carved all stamps and sprig molds myself, then the slip-trailing was completed freehand. After all, I believe in authenticity. The slip and sprig molds are colored with blue stain, dark for the slip and medium for the sprigs. I still have 7 more to make, and these 5 still need to be trimmed. Let me tell you, this sort of decoration takes FOREVER. I really hope the pieces live up to the expectations of the club President.

Here are the five with finished decoration. There are slight variations in text placement, but I think that indicates their hand-crafted nature.

After trimming, I’ll cut out three chunks in the foot ring to match up with the three stamps on the rim band to give these a nice visual openness underneath.

P.S. I’ll be showing/selling work at two craft sales in April and May. Stay tuned for details as the dates approach.