Pots+Prints: The Art of Amy & Amy

I have a sale coming up this weekend where I will be offering my handmade pottery alongside linoleum woodblock prints by Amy Riley. It will be located at a residence at 2230 Dallas Drive, Carrollton, TX 75006. June 4th hours are 12-8 with a reception beginning at 5 PM. June 5th hours are 12-4. Both savory and sweet treats, including homemade baked goods, will be available during the reception with beer, wine, and soda pop. We will be set up to accept cash, check, and credit card via Square. Hope to see you there!

I have been hard at work to make a new batch of work just in time for the show, which is currently in the kiln  for a glaze firing. Some of my other quite recent pots which will be available this weekend include these underglaze and decal decorated pieces:

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Check out the Facebook invite here

You can look at Amy Riley’s recent work here

My spring show table setup

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My Craft Guild of Dallas setup for the 2015 Spring Show & Sale complete with spider mum, waxflower, and greenery floral arrangements. If anyone buys a pot with flowers they’re included, of course!

All slab built white earthenware fired to cone 04 with underglaze drawings.

All slab built white earthenware fired to cone 04 with underglaze drawings.

Craft Guild of Dallas Spring Show & Sale 2015

As per usual I am again participating in the twice annual show and sale at Addison’s Craft Guild of Dallas this weekend. The juried event includes handmade goods from jewelry to paper, painting to pottery. I will be on hand both Friday night and Sunday afternoon, with a small batch of fresh pots on Sunday. I admit I haven’t been as reliable keeping the blog updated of late and you may wish to follow my Facebook page as well, which I am thus far quite diligent in adding information and progress photos to. For more details, the hours, and venue information please visit Craft Guild of Dallas.

Craft Guild of Dallas Show & Sale

This past weekend one of my regular twice annual events with the Graft Guild of Dallas elapsed. I got some valuable feedback and an opportunity to see a selection of the new work in a display setting. The slightly warm white and surface texture of the glazed ware pleases me. I’m plunging ahead towards cake stands, more lidded vessels, and place settings galore, etc.

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Here is an assortment of what I have made already for the show in early December.

Here is an assortment of what I have made already for the show in early December.

Poetry in Ceramic: a Joint Ceramic Show & Sale from Amy Henson and Allee Etheridge

This December from the 5th through the 7th a fellow Dallas area functional potter and I are hosting a 2-person show in Allee’s beautiful home in Carrollton, TX. The Friday night reception will feature tasty bites and beverages along with a little bonus: free cups to the first 50 attendees!

Front and back of our show postcard. Please send me your physical address to receive a mailed copy!

Front and back of our show postcard. Send us your physical address at poetryinceramic@gmail.com to receive a mailed copy! Photos by S.K. Plagens and design work by Haus of Murray, plus the drawing was freehand by me, so no copyright infringement please.🙂

I am also bringing a huge presentation of my new work, all slab built white earthenware oxidation fired to cone 04 with underglaze drawings. I have been working in low-fire for a number of reasons: slab building has so much more formal flexibility than what I was able to get from throwing, attempting to bring cost of production and sale price to equivalency, and it’s just making me one happy potter lady! The image iconography is similar to the porcelain pots but executed in underglaze line drawings instead of sprigs or slip trailing. For the time being, anyway. Check out the new work or at least a sample of what will be available come December.

Four piece place setting.

Four piece place setting.

Pitcher.

Pitcher.

Cream & Sugar.

Cream & Sugar.

Butter Dish, large enough for a cheese log too.

Butter Dish, large enough for a cheese log too.

Art of the Pot Studio Tour 2013, Part 1

The always awesome Art of the Pot in Austin, TX is coming up this Mother’s Day weekend in May 2014. Leading up to the next studio tour I have a whole slew of photos from last year’s event, so I’m going to split them up into two installments.

Ryan McKerley pots.

Ryan McKerley pots.

We usually start at Ryan McKerley‘s studio. He’s such an awesome potter and a wonderful person to boot. I have fired my pots in his kiln a few times, which definitely numbers among the highlights in terms of my experiences in the pottery community.

One Ryan's large jars with the trademark Pac Man knob.

One Ryan’s large jars with the trademark Pac Man knob.

Soda firing is my favorite firing method and Ryan’s surfaces are akin to what I strive for in my own work.

Flower brick by Joan Bruneau.

Flower brick by Joan Bruneau.

A few invited artists share each host studio. Joan Bruneau of Novia Scotia presented her gorgeous terra cotta pots alongside Ryan McKerley, Chris Campbell, and Bryan Hopkins.

Lovely plates by Joan Bruneau.

Lovely plates by Joan Bruneau.

The brilliant glaze colors coupled with the rich red clay body makes for a highly covetable pot.

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Chris Campbell pots.

Ryan McKerley shares his studio with fellow host Chris Campbell, who wood fires his dark stoneware clay pots.

Porcelain ware by Bryan Hopkins.

Porcelain ware by Bryan Hopkins.

Thin, translucent porcelain abounds in Bryan Hopkins‘ work, often textured with carving and mundane objects like wood planks or diamond-patterned steel sheets.

Saying farewell to the mural on Ryan's studio exterior for another year.

Saying farewell to the mural on Ryan’s studio exterior for another year.

Onto the next studio!

A different studio happening concurrently in the building housing Keith Kreeger's studio.

A different studio tour happening concurrently in the building housing Keith Kreeger’s studio.

Photographers, painters, and other 3-D artists presented work in the other studios adjacent to the next AotP host potter.

The entrance to Keith's studio.

The entrance to Keith’s studio.

An array of pots from all of the presenting artists within decorate the table.

Keith Kreeger pots.

Keith Kreeger pots.

Host artist Keith Kreeger produces minimal, sometimes softly colored, functional pottery.

Some of the more colorful Kreeger pots.

Some of the more colorful Kreeger pots.

There’s always something new in Keith’s array of pots, so I look forward to seeing the latest and greatest each time I enter his studio.

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Another assortment of pots from the potters in Keith’s studio.

I love to see different work shown alongside each other, the variety makes for a strong and visually appealing presentation. Decal encrusted pots by invited artist Dan Anderson appear at top left and bottom right.

Courtney Murphy pots.

Courtney Murphy pots.

I loved the clean forms augmented with brightly colored surfaces from invited potter Courtney Murphy.

Especially this cream and sugar set!

Especially this cream and sugar set!

The arched line of raw clay on the sugar jar made me swoon. Two more studios to come, stay tuned for photos!

Dreaming of Spring and Dallas Pottery Invitational 2013

Did I mention what a terrible blogger I am? I’m currently catching up so I can stay on top of the spring pottery events this year. Last April, as per usual, I volunteered to help run the checkout area at the Dallas Pottery Invitational. The core group of artists is always interspersed with a fresh group of invited visiting potters. For more info on this year’s invitational: Dallas Pottery Invitational.

The famous Artstream mobile gallery made it to the 2013 DPI.

The famous Artstream mobile gallery made it to the 2013 DPI.

First on the docket, we have some cheeky pots by Andrew Gilliatt. Hailing from Helena, MT and the Archie Bray Foundation, this excellent potter uses technology to his advantage. His slip-cast pots feature strong formal lines with precise glazing and often humorous repeating decals, such as in the case of the hot dog shaped unglazed areas filled with tiny dachshunds.

Some of Andrew Gilliatt's glazed and decal-encrusted ware.

Some of Andrew Gilliatt’s glazed and decal-encrusted ware.

They’re all great pieces, but I bought the horse head mug shown in the photo above. Equestriennes FTW!

More cheeky pots.

More cheeky pots. Said wiener dogs and wiener shapes appear on the large bowl in the upper right.

Next up, please enjoy the work of core group potter Lisa Orr. A self-proclaimed synaesthetic, the glazes reflect a sort of frenetic energy often accompanied by the mixup of concrete concepts and colors in her mind.

Slump molds and sprigs forms pots, enhanced with riotous glazes.

Slump molds and sprigs forms pots, enhanced with riotous glazes.

Daphne and Gary Hatcher of Pine Mills Pottery brought a boat-load of pretty pots as usual. Gary’s somehow more masculine ware favors the kind of scale and simplicity commonly associated with a male-friendly aesthetic.

Lovely work by half of the Hatcher duo.

Lovely work by half of the Hatcher duo.

I’m especially crazy about the altered vases with the large swirls, and the giant faceted bowl.

A detail of some round-bellied vases.

A detail of some round-bellied vases.

Daphne Hatcher utilizes more complex glazing techniques and different ornamental forms. Her technique of wax-resist glazing copper red on top of a black base was one of my favorite go-to glaze applications in my college days.

The floral motif pieces exhibit the afore mentioned copper red/shiny black glaze technique.

The floral motif pieces exhibit the afore mentioned copper red/shiny black glaze technique.

The pattern variations always attract me to her lively pots. Those quiet little round boxes may still be my favorite form in her repertoire.

A colony of adorable boxes among plates and platters.

A colony of adorable boxes among plates and platters.

For the wood-firing set I’m pleased to present the work of Liz Lurie. Between sumptuous dark clay bodies, slips, flashy shinos, and earthy forms she finds a magic combination of elements.

My erstwhile pottery professor's lovely wife makes incredible wood-fired ware.

My erstwhile pottery professor’s lovely wife makes incredible wood-fired ware.

Employing frogs to secure flowers upright, the baskets always attract my gaze. The bowl with large ear-shaped lugs has a gorgeous form and great visual lift.

Another view of Liz Lurie's ware.

Another view of Liz Lurie’s ware.

Once a Dallas area potter, now Amy Halko calls California home. Utilizing porcelain with inlaid slip and glaze decoration, her cone 6 pots exhibit a strong aesthetic vision. During her time as an adjunct and special student at SMU I grew familiar with her work and have several iterations of her ever-changing work in my collection.

An overview of the back portion of Halko’s pots.

Invitee Doug Peltzman followed up a demo session at the Utilitarian Clay Symposium by hauling a load of his incredible porcelain pots to Dallas. His slow and meticulous process made me feel a little less crestfallen about the drudgery of decorating ware in my own studio. Runny glazes designed to catch on the periodic horizontal ridges punctuated by inlaid black line drawings cover his thin-walled vessels.

Meticulous decorations adorn Doug Peltzman's exacting forms.

Meticulous decorations adorn Doug Peltzman’s exacting forms.

I buckled and brought a large jar home from his available assortment of pots. It now houses candy and cookies in a place of honor on my dinner table.

Following a totally different aesthetic path, Hiroe Hanazono adores simple forms, muted glaze hues, and such mundane objects as cafeteria trays for their compartmentalized function.

Soft colored porcelain vessels on Hiroe's table.

Soft colored porcelain vessels on Hiroe’s table.

Nesting smaller vessels in specifically designed indentions is such an ingenious solution.

Salt cellars with porcelain spoons.

Salt cellars with porcelain spoons.

Between thrown forms and hand-built ware small drawings appear on David Eichelberger‘s impressive pots. We celebrated his birthday here in Dallas during the invitational, hopefully staving off the homesickness for his lovely family somewhat.

Assortment of white pots.

Assortment of white pots.

The irregular lobed mugs have the sort of intimate size that keeps them flying off the table. Although I’m perpetually drawn to black pieces so I coveted the following vessels with their delicate hint of color punctuating the differing black surface textures.

Some of the black ware I loved so much.

Some of the black ware I loved so much.

Another recent participant at the UC Symposium, I was happy to see Kip O’Krongly and her concept-rich earthenware vessels. I couldn’t help but snag a bicycle dinner plate and ostrich bowl.

Re-visiting the awesome work of Kip O'Krongly.

Re-visiting the awesome work of Kip O’Krongly.

The carved yellow bird salt and pepper shakers are probably the most labor-intensive of her pieces.

An angry bird salt or pepper shaker.

An angry bird salt or pepper shaker.

Driven by the sometimes questionable relationship between large-scale agriculture and nature the pieces exhibit a precarious blend of hope for the future through returning to simpler lifestyles and resistance to such practices as using birds to detect poisonous gases, crop-dusting, and GMO foods.

A vignette of plates and cups.

A vignette of plates and cups.

The DPI always confronts me with an exciting new assortment of work so I can hardly wait for April to get here already! Stay tuned for my next installment, a recap of the Art of the Pot studio tour from last May.

Another spring treasure I'm waiting patiently for, local dewberries in a home-made cobbler. Cup by Liz Smith, plate by me.

Another spring treasure I’m waiting patiently for, local dewberries picked by my family in a home-made cobbler. Cup by Liz Smith and a small wood-fired plate from my college days.

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